5,191 Royalty-Free Audio Tracks for "Arranged By Adrianus Valerius"

Peer Gynt Suite No. 1, Op. 46 - II. Aase's Death

The first movement of the suite Looking Upward by John Philip Sousa, "By the Light of the Polar Star", played by the U.S. Marine Band for the album Semper Fidelis: Music of John Philip Sousa

Manhattan Beach performed by the Ceremonial Brass and Concert Band of the United States Air Force Band. Track 4 from Ceremonial Music (1993)

Syncopation (sfz) in Beethoven's String Quartet in A Major, Op. 18, no. 5, III, variation I, m. 7-8.

Concerto No. 12 in A- III. allegretto

Bagatelles, Opus 33, no.1 by Ludwig van Beethoven, 2:47 minutes

Bagatelles, Opus 33, no.4 by Ludwig van Beethoven, 2:51 minutes

John Philip Sousa's "With Pleasure" or "Dance Hilarious", played by the United States Marine Band for the album Courtly Dances.

Georges Bizet: L'Arlésienne Suite Nr. 1, 1. Satz (Ausschnitt) Sinfonie-Orchester des Hessischen Rundfunks, Kurt Schröder (Dirigent) Aufnahme vom 8. September 1948 im großen Sendesaal Eschersheimer Landstraße Georges Bizet: L'Arlésienne Suite no. 1, first movement (excerpt) Frankfurt Radio Symphony, Kurt Schröder (conductor) recording from 8 September 1948 in the Eschersheimer Landstraße broadcasting studio

Johannes Brahms: Guten Abend, gut Nacht

Georg Friedrich Händel: Lascia ch’io pianga

Sousa's "Hands Across the Sea" performed by the Concert Band of the United States Air Force Band. Track 6 from the band's 2017 album America.

The Presidential Polonaise by John Philip Sousa, played by the U.S. Marine Band for the album Semper Fidelis: Music of John Philip Sousa

Italiano: Enrico Caruso canta Pimpinella (registrazione 78 giri)

Lydfil fra Ruben-samlingen, "Sjælden penge, prygl des fler" ; akt 1, scene 1, sunget af Peter Schram, ophav Wolfgang Amadeus Mozart, rolle Leporello Sound file from Ruben collection: Leoporello's opening aria "Notte e giorno fatica" from Mozart's Don Giovanni

Piano Concerto No. 2, Op. 18 in C minor for piano and orchestra (13 minutes, then Scriabin Nocturne Op. 9, No. 2)

Mozart; Piano Concerto No. 26 in D Major, KV 537 "Coronation", 1. Allegro

Mozart; Concerto No. 18 in G-Flat- III. Allegro vivace

Alexander Scriabin: opus 40.02

Alexander Scriabin: opus 32.01 (Clavinova version optimized for General MIDI)

Dufay - Missa cantus firmus, derived from Se la face ay pale.

Bar 131 to 134 from Grieg's Humoreske op. 6 nr. 4

Robert Schumann, Album für die Jugend, Op. 68, Nr. 10: "Fröhlicher Landmann, von der Arbeit zurückkehrend" ("Happy Farmer, Returning from Work"), 37 seconds

Alexander Scriabin: opus 25.03

Alexander Scriabin: opus 13.01

Nederlands: Gabriel Fauré (1845-1924): Après un Rêve, op. 7. Van Mutopia, publiek domein. De oorspronkelijke compositie is van Gabriel Fauré, die al meer dan 70 jaar overleden is, en het voor 1880 geschreven heeft. Voorzover er auteursrechten rusten op de bewerking tot midifile, heeft de auteursrechtenhouder het zelf in het PD geplaatst, zie de link op de bestandspagina en [1]

1909 - Little Nemo selection by Victor Herbert Orchestra

Berlioz Symphonie Fantastique finale, bars 1-4

Chopin - Mazurek As-dur op. 50 nr 2Chopin - Mazurka in A flat major, Op. 50 no. 2

Pick Black Blue by G. H. Everetts

Mussorgsky Gnomus original bars 19-24

Mozart - Requiem (Krips) - IX. Domine Jesu

01. Patrick Kilpatrick - Did you jump or were you dropped

Dufay, "Mon chier amy"

Frédéric Chopin - Barcarolle in F-sharp major, op. 60 (Martha Argerich, 1962)

Mozart - Requiem (Krips) - V. Rex tremendæ

Across the mountainous region by TRG Banks

07Haydn NelsonMass-Credo EtRe

W. A. Mozart - Requiem, K. 626 (Bruno Walter, Wiener Philharmoniker, Wiener Staatsopernchor, 1956) - 01. Requiem aeternam

03. Nolan Čapek - Fallen Tree

07. G. H. Everetts - Worker Happy Bridge

01Haydn NelsonMass-Kyrie

Daybreak in a new town by TRG Banks

Recording of music written by Frederic Chopin

Alexander Scriabin: opus 42.01

Alexander Scriabin: opus 32.01 (on Yamaha Clavinova)

Ausschnitt aus Joseph Haydns Klaviersonate Hob. XVI/Nr. 8

Alexander Scriabin: opus 25.09

Example of atonal music which avoids octaves, avoids major and minor triads, avoids more than three notes from the same diatonic scale, and avoids conjunct melodies/uses disjunct melodies. From Schoenberg's Klavierstucke, Op. 11, No. 1.